Because the poet's surviving drafts contain alteration after alteration, critics long attributed the polished form of her published work to her own [Blank 1] revision; newly examined correspondence, however, indicates that her editor made most of those changes, thereby [Blank 2] the traditional account of the poet's working method.
Select one answer for each blank.
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Blank 1: B (meticulous)Blank 2: F (undermining)
The numerous alterations in the drafts initially led critics to believe that the poet revised her work meticulously. Thus, "meticulous" fits the first blank. However, the correspondence attributes most of the changes to the editor rather than the poet. This evidence undermines the traditional account of the poet's working method, so "undermining" fits the second blank.